York Panorama Commission\Making the Panorama
Emily Harvey Printmaking with people
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Collected stories

Collected stories

The original proposal

The original proposal

Life size plan on paper

Life size plan on paper

Insects pressed into clay

Insects pressed into clay

Plaster cast of insects

Plaster cast of insects

Coloured plaster

Coloured plaster

Chocolate factory sketch

Chocolate factory sketch

The Chocolate factory block

The Chocolate factory block

The mortar, containing the text

The mortar, containing the text

Tools used to make the carriageworks design

Tools used to make the carriageworks design

carriageworks

carriageworks

John Goodricke's note book

John Goodricke's note book

Goodricke's sky

Goodricke's sky

Gilding the title

Gilding the title

Fixing the base boards

Fixing the base boards

Making the Panorama

The technique combines plaster casting and printmaking. Collaged printing plates and found objects are impressed into clay, then cast and coloured in various ways. Find out more on one of my plaster printing courses.
The Panorama is fixed to a curved wall – this presented some challenges and involved a lot of maths!

"Can I say how impressed I am with the originality and technical quality of the final product in situ. I particularly enjoyed the invention of the narrative details along with those areas in which you have employed a restrained, near monochromatic palette of colours. As a ceramicist (as well as a painter) the technique of washing and wiping off on textured surfaces continues to produce magical effects. It is so rewarding to see it applied in a fresh context whilst also being given a high profile in such a public location."
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